Experience
The experience does not begin with music.
It begins at the moment sound ceases to react to its surroundings.
Independent of Genre. Independent of Scale.
Whether a solo instrument, a twenty- or thirty-member ensemble, or electronically produced sound,the system establishes a condition in which distortion does not emerge, and acoustic influence does not accumulate.
The space no longer defines the sound.
The sound defines the space.
The system does not adapt.
It does not correct.
It does not compensate.
It does not respond.
Reaction disappears.
And with it, the listener’s need to adjust.
The Absolute Reference
Among all instruments, the concert grand piano represents one of the most complex
acoustic challenges.
Its dynamic range, mechanical speed, and spatial footprint have long defined the boundary
of what could be reproduced.
During the development of StradiSound, world class concert pianist Adam Gyorgy
participated in extended performance and listening sessions,
pushing this boundary beyond its known limits.
In a private session at Adam Gyorgy,a six-microphone concert grand piano configuration was realized — a setup never before achieved in practice.
The experience was described as if performing on a sixteen-meter-long piano.
Until that moment,such an extension of the instrument had been considered physically impossible.
From that point on, it became reality.
Perfect concert grand piano reproduction was no longer an approximation.
It became possible.
The same condition was maintained in large-scale performance environments,
where scale, architecture, and genre normally impose strong acoustic influence.
In private live performance contexts,including the main hall of Palace of Arts in Budapest, Hungary. The system preserved complete independence
from the surrounding space.
This validation is currently being extended in one of Central Europe’s most significant historic theatre environments:
the Erkel Theatre in Budapest.
Designed for opera and large-scale musical productions,
the space presents a broad and demanding acoustic spectrum.
The system’s condition remains unchanged.
When sound no longer reacts, attention no longer compensates.
Presence returns to the music itself.
Private Reference Invitation
StradiSound is occasionally invited into existing performance spaces
for private, non-public reference sessions.
No installation. No modification.
Only the temporary removal of acoustic limitations.